The Air at the Top of the Bottle

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Masks

May 7th, 2015 · No Comments

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In 2012, Norman Conquest kicked off the Absurdist Texts and Documents series at Black Scat Books with his illustrated adaptation of Alphonse Allais’s story Un drame bien parisien. The original limited edition is now out of print. He has just republished a new expanded edition, with an introduction and notes by Doug Skinner. You can find it at Black Scat Books. Alphonse rides again!

(Posted by Doug Skinner)

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Memorable Magazines (3): Beyond

April 27th, 2015 · 3 Comments

The success of Fate, started in 1948 by Ray Palmer and Curtis Fuller, inspired many imitations. Among the trashiest was Beyond, which put out its first issue in September 1968, published by Bernard S. Adelman and edited by Keith Ayling. It began as a digest, changing to a larger format in September 1969. I don’t know how long it lasted; the latest issue I have is from February 1971, in which it is announced that it will return to the digest format. I don’t know if it did.

Some veteran forteans contributed to it (Vincent Gaddis and Brad Steiger, for example), but Adelman and Ayling (and later editor Robert O’Dell) seemed happiest with articles like “Strange Forces Cause Animals to Accost Mankind,” “Does God Fill Teeth?” and sensational pieces on celebrities. Here are four covers from 1968 and 1969.

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(Posted by Doug Skinner)

→ 3 CommentsTags: Ephemera · Forteana

Children’s Card Games (213)

April 20th, 2015 · 3 Comments

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This undated deck, made by Gemaco, offers a slogan about safety on every card. I don’t know if this was for children, or for adults in the workplace. In either case, it encourages them to play cards rather than do something dangerous.

(Posted by Doug Skinner)

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Children’s Card Games (212)

April 14th, 2015 · No Comments

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“Whoopee!”, a 1929 game from Milton Bradley, used cards, counters, and dice. As usual, I just like the graphics. The backs of the cards are stylish too.

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(Posted by Doug Skinner)

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The Zombie of Great Peru

April 3rd, 2015 · No Comments

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The Zombie of Great Peru, or the Countess of Cocagne, by Pierre-Corneille Blessebois, rises from the grave in its first English edition, translated by Doug Skinner! It’s available now from Black Scat Books.

This bizarre novel, written in 1697, marks the first mention of the word “zombie” in world literature. It is a wicked tale of lascivious lust and lunatic desires, a strange concoction of prose and verse, from the sexual and racial hothouse of colonial Guadeloupe. Our narrator has his eye on the beautiful Creole Countess, who goes barefoot and serves her guests tadpoles. When she offers him sex in exchange for magical powers, he tricks her into thinking she’s an invisible zombie; slapstick, humiliation, and confusion follow. With a preface by the avant-garde magus Guillaume Apollinaire.

Pierre-Corneille Blessebois, also known as “the Casanova of the 17th century,” had an eye for the ladies and a taste for literary revenge. He was, at times, an arsonist, murderer, mercenary, deserter, and galley slave, finally ending up as a conscript in Guadeloupe. He wrote to boast about his sexual conquests and to mock his former partners; this book is no exception.

(Posted by Doug Skinner)

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Anomalous Music

March 16th, 2015 · 1 Comment

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I will be presenting three programs of “Anomalous Music” at the Morbid Anatomy Museum. They will be in the form of informal talks, with musical examples on keyboard.

Wednesday, March 25: Music from the Ultraterrestrials; music attributed to fairies, banshees, trowies, gnomes, ghosts, aliens, and other supposedly nonhuman creatures. Selections include fairy tunes from Norway and the British Isles and the channeled piano music of Rosemary Brown.

Wednesday, April 1: Music from the Occult; music by Rosicrucians, alchemists, Thelemites, and members of various secret societies. Selections include Athanasius Kircher’s music of the spheres, Lawsonomy hymns, and a puzzling tune by Paschal Beverly Randolph. Plus: the proper use of a monochord.

Wednesday, April 8: A Collection of Curiosities; agricultural plainchant, artificial musical languages, the music of Rameau’s Nephew, the troubling history of the gizmo harp, and other oddities.

All events are at 8pm; admission is $8 apiece, or $20 for all three. The Morbid Anatomy Museum is at 424 Third Ave, in Brooklyn, at the corner of 7th Street. Their website is morbidanatomymuseum.org

(Depicted: Robert Fludd’s Celestial Monochord. Posted by Doug Skinner.)

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A Frog Fall in Fludd

March 9th, 2015 · No Comments

Falling frogs are particularly associated with Charles Fort, who collected many reports in his 1919 book The Book of the Damned. Frog falls, however, have been reported for centuries, and I always enjoy spotting a reference.

I was, therefore, gratified to find a frog fall depicted by the curious 17th century philosopher and nonpareil, Robert Fludd, and reproduced in Joscelyn Godwin’s monograph (Thames and Hudson, 1979). The frogs fall in Fludd’s 1626 book Philosophia sacra et vere Christiana Seu Meteorologia Cosmica. You can see them in the “Great Meteorological Chart,” which shows a variety of celestial and meteorological phenomena and their effects on man. Here is a greatly reduced image of the full picture, just for context:

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And here is a detail of the frogs, which are tumbling from the top of the arch, between stones and thunderbolts.

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(Posted by Doug Skinner)

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The Squadron’s Umbrella

March 4th, 2015 · No Comments

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 The Squadron’s Umbrella is now out from Black Scat Books! I quote the publisher:
Authored by Alphonse Allais
Translated by Doug Skinner

Alphonse Allais (1854-1905) was France’s greatest humorist. His elegance, scientific curiosity, preoccupation with language and logic, wordplay and flashes of cruelty inspired Alfred Jarry, as well as succeeding generations of Surrealists, Pataphysicians, and Oulipians. THE SQUADRON’S UMBRELLA collects 39 of Allais’s funniest stories — many originally published in the legendary paper LE CHAT NOIR, written for the Bohemians of Montmartre. Included are such classic pranks on the reader as “The Templars” (in which the plot becomes secondary to remembering the hero’s name) and “Like the Others” (in which a lover’s attempts to emulate his rivals lead to fatal but inevitable results.) These tales have amused and inspired generations, and now English readers can enjoy the master absurdist at his best. As the author promises, this book contains no umbrella and the subject of squadrons is “not even broached.”

(Posted by Doug Skinner)

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Children’s Card Games (211)

February 26th, 2015 · 1 Comment

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“Domestic Animals” was published by Parker Brothers; there is no date. It contains 56 cards, with pictures of domestic animals and facts about them. The object is to pair animals with similar characteristics: for example, the horse can be paired with the cow, since they both eat grass.

(Posted by Doug Skinner)

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Dinner in 18th Century England

February 16th, 2015 · No Comments

Guillaume Apollinaire, in his preface to a French edition of Fanny Hill, offered a look at dinner in that period. He may have paraphrased it from the book (I never read it); at any rate, here it is, in my translation.

Here is a description of a fine English dinner in the month of June.

A meal of this kind generally lasted more than four hours, and the diners were usually silent.

For the first course, the round table was laden one one side with a roast ham, resting sluggishly on a bed of fava beans. An enormous roast beef was on the other side. A plate of cauliflower adorned the middle of the table, flanked by two saucers, one with butter, and the other with a sauce of ginger and other spices. In a pot was found an undercooked stew, and, in front of it, a platter covered with chickens drowning in butter.

Then, a fat goose was served, followed by a turtle, peas without sauce, boiled in water to preserve their green color, and a sort of crunchy tart stuffed with gooseberries.

The guests had before them tumblers for the common wine, silver pots for beer, a plate, an iron fork with two tines, and a saberlike knife, rounded on one end to use as a spoon. Napkins were unknown.

After the second course, the tablecloth was removed, and dessert was served: strawberries, melon, cheese, and five or six kinds of wine. French glasses were brought, and toasts were raised, beginning with the health of the King. They continued with the health of the ladies.

Then punch was served, followed by tea and coffee, with bread and butter.

In one corner of the room was the pisspot, where everyone relieved himself without shame, and as the windows were usually kept closed, the fumes of the urine, mixing with the fumes of the liquor and wine, made the atmosphere unbreathable for any but the English.

(Posted by Doug Skinner)

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